Items tagged "Popular"

3 Courses, 6 Units, 1 Lesson Plan, 6 Resources, and 6 PLCs tagged "Popular" for Drama Teachers.

Courses

Big Picture Blocking: Staging Your Play Outside-In

by Todd Espeland

Working in educational theatre I know how easy it is to get bogged down in actor coaching and away from the bigger picture storytelling when directing a show. I saw a need for a method of text analysis and physical staging tools that help the director stay focused on the bigger picture of telling the story of the play. This class is in two parts: The first consists of the text analysis tools P.A.S.T.O and Major Dramatic Question. From these tools you will brainstorm keywords to define your vision of the story. In the second part of the class you will focus on taking the information generated in the text analysis and crafting the ideas into vibrant physical pictures through an exercise called Starburst.

Serious Play: Theatre Games and Warmups for Rehearsal and Ensemble Building

by Todd Espeland

In this class, Serious Play, the instructor will lead you through a series of games in risk, movement, focus, and voice. You will get access to a series of all inclusive games that you can string together to make one giant game that is great to use in rehearsal. You will learn how and when to use these games. You'll get ideas on how to craft your own warm-up lesson plan; and, most importantly, you'll learn about about a pre-class warm-up that you can do on your own so that you can get yourself into that third stage of the creative brain, so that you can begin trying out interesting, creative, and risky choices for yourself in your classes and in rehearsals.

The Empathetic Classroom

by Steven Stack

Why should you take a class on empathy? And why is theatre the perfect vehicle for empathy? Empathy, the more sought-after and inclusive cousin of sympathy, is the experiencing of someone else’s experience in the world. What it would be like if you were wearing their clothes, their life? Teaching students to understand the clothes that they’re putting on, the characters and their lives teaches students not how to act but how to be. It allows the students to feel what someone else feels and experiences, which can and should translate to their fellow actors and peers away from the stage. It will lead to a stronger class connection, stronger performances and stronger students who will seek out understanding instead of isolation and fear.

Units

Pantomime

by Karen Loftus

In this unit, students will explore nonverbal communication: first, through body language and gesture, and then through the specific art of pantomime. Students will learn hand position, tension, follow-through, and action/reaction/interaction with objects through warm-up games and exercises. The unit culminates in a two-person pantomime performance.

Voice

by Karen Loftus

This unit focuses specifically on the technical aspects of vocal production. By understanding how voice is created, students will be more aware of how to improve their vocal production. Students will explore posture and breathing exercises, as well as how to use the diaphragm, projection, and articulation. The final project will test students’ ability to properly project and articulate a joke across a large space.

Unit One: Ensemble Building and Class Norms

by Lindsay Johnson

This unit has six lessons that you can use in the first week of your middle school program. What do you do in the first week? The most important elements are creating routines such as journal prompts, opening and closing circles, and giving strong feedback; creating an ensemble and ensemble-building games; and introducing a Weekly Ensemble Rubric. Students will define and build ensemble as a group, learning specific ways they can SAY YES and BE SAFE in class. They will understand the daily grading system and the basic routines of class. Finally, students will learn to give strong feedback by connecting specific evidence from performance to the Rubric language.

Unit Two: Improvisation Basics

by Lindsay Johnson

In this unit, students will learn, practice and apply three important rules of improv: accepting and building on offers, quick thinking, and strong offers. For each step, they will work with the Improvisation Rubric by both giving and receiving feedback. Students will also start to practice techniques to improve their vocal clarity. The unit culminates in a performance assessment in which students will play an improv game in front of an audience.

Unit Three: Building Improvised Scenes

by Lindsay Johnson

Students will understand the basic building blocks of a scene: The Who (characters/ relationship), the Where (setting), and the What (conflict – objectives/tactics). They will learn how to use both verbal and nonverbal (pantomime) clues to communicate these scene details to an audience. They will continue to work on voice clarity, while also learning to open their body to an audience. The unit culminates in a performance assessment in which students work in pairs to improvise a scene.

Unit Four: Intro to Scripted Scenes

by Lindsay Johnson

Students will be introduced to the most basic of scripts: the contentless/open scene script. They will use their knowledge of character/relationships, setting, objective, and tactics to add content to a contentless scene. Students will also learn the basics of set design and blocking, and will begin using voice expression to communicate clearer characters. The unit culminates in a performance assessment in which students will work in pairs to add content to and perform a contentless scene.

Lesson Plans

00 - Emergency Lesson Plans Ebook

by Lindsay Price

You need Emergency Lesson Plans. The unexpected comes up all the time. This Emergency Lesson Plan Collection (30 lessons) will address all of your concerns and take into account all of your sub’s questions. Every Emergency Lesson Plan includes substitute instructions, handouts, and assessment suggestions.
Attachments

Resources

00 - Scenes for Classroom Study eBook

Use these scenes in your classroom for character study, scene work, substitute teachers, performance, Individual Event competitions, and any other way you can imagine. Each scene comes from a published play (the complete play can be found on at theatrefolk.com) and is FREE for you to print, copy, and distribute. But wait there’s more! Each scene comes with: • Close Reading Questions • Staging Suggestions • Character Development 30 scenes in total within this eBook!

Movie Musical Classroom Study Guide: Hairspray (2007)

This classroom movie study guide looks specifically at the 2007 movie version of the musical Hairspray. The film is based on the 2002 Broadway musical of the same name, which in turn was based on John Waters’ 1988 comedy film of the same name. The study guide provides the following: pre-viewing questions, viewing questions, and post-viewing activities.
Attachments

Movie Musical Classroom Study Guide: In The Heights

The study guide provides the following: pre-viewing questions, viewing questions, and post-viewing activities.
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Movie Musical Classroom Study Guide: Matilda

The study guide provides the following: pre-viewing questions, viewing questions, and post-viewing activities.
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Movie Musical Classroom Study Guide: Shrek

This classroom movie study guide looks specifically at the 2013 filmed version of the live musical Shrek. The musical is based on the 2001 movie of the same name. The study guide provides the following: pre-viewing questions, viewing questions, and post-viewing activities.
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Movie Musical Classroom Study Guide: Singin' In The Rain

The study guide provides the following: pre-viewing questions, viewing questions, and post-viewing activities.
Attachments

PLCs

Monologues

Hosted by Matt Webster, Lindsay Price, Matt Banaszynski, Gai Jones

Monologues are the backbone of the performance process. They are a super-concentrated way for students to learn such skills as memorization, characterization, objective and tactics. But how does a teacher juggle 20+ monologues at a time and still give the kind of feedback that will help their students improve? Join us for a discussion about monologues in the drama classroom and find out how it’s done.
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School Startup

Hosted by Matt Webster, Lindsay Price, Tricia Oliver, Jeremy Bishop

Summer is winding down and a new year is gearing up! With the start of a new school year comes the annual check lists of Must Do, Should Do and Want to Do. Deciding what goes in each list will create the structure and set the tone for your entire year. Join us for a conversation, and preliminary planning session, that will list the lists and bring focus to the coming months.
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Distance Learning: Monologue Writing

Hosted by Matt Webster, Lindsay Price

Monologue writing is an activity that is easily adaptable for distance learning. It’s also something that students can do without technology. Join us for a walk through a "no internet necessary" monologue writing project with added video conferencing options.
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People Like Us: Teaching Strategies for Students with Disabilities

Hosted by Matt Webster, Lindsay Price, Kirsti Lewis, Kristi Brown, Lauren Modawell

Join the creators of People Like Us, and learn more about Teaching Strategies for Students with Disabilities. We know many teachers are looking for step-by-step guidance and practical resources so you can leverage the power of the performing arts in your classroom. Nontraditional and kinesthetic methods, like those in the performing arts, provide more robust educational opportunities for students of all abilities. Learn more from these experts and find out about an upcoming opportunity as a DTA member, to engage in online learning with this leading organization.
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AI in the Drama Classroom

Hosted by Matt Webster, Lindsay Price, Jessica McGettrick, Elizabeth Holbrook

Artificial Intelligence is here. In the past few years it has found its way into almost every corner of modern life - including the classroom.  However, important questions remain. Questions like: "Is there a place for AI in the classroom?" "Does that include the Drama classroom?"  and "What does AI in the Drama classroom look like?" These are just some of the questions we will tackle when you join us in this forward thinking PLC.  
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Navigating Personal Challenges

Hosted by Matt Webster, Lindsay Price, Claire Broome, Lea Marshall

Teachers are people. And people face challenges. Challenges like family illnesses, relationship crises, financial worry, and so much more. What is a teacher to do when a personal crisis hits?  Teachers are expected to navigate personal challenges, yet still effectively teach their classes. That means teachers try to keep these challenges from spilling into the classroom - but can they? Should they? Join our panel for an in-depth discussion on navigating personal challenges as a teacher. 
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